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Review: It’s Okay To Not Be Okay Kdrama

Review: It’s Okay To Not Be Okay Kdrama

its okay to not be okay kdrama

Review for Its okay to not be okay kdrama (2020) :

Its Okay to Not Be Okay Kdrama (tvN/Netflix, 2020) is a South Korean drama that combines intense emotional storytelling with a mix of romance, humor, and mystery. Its okay to not be okay kdrama features Moon Gang-tae (played by Kim Soo-hyun), a caretaker at psychiatric hospitals, and his autistic brother, Moon Sang-tae (Oh Jung-se). The brothers frequently move due to Sang-tae witnessing their mother’s murder as a child, which adds to the show’s themes of trauma and healing.

If I tell about Gang-tae characteristics from its okay to not be okay kdrama, he is a kind, competent individual, but the weight of caring for his brother and constantly relocating has made him appear emotionally distant. This stoicism makes him an intriguing counterpart to Ko Moon-young (Seo Yea-ji), a famous children’s author known for her fiery temper and unfiltered personality. After a public outburst at a book signing, Moon-young decides to retreat to her childhood home, a gothic, castle-like mansion in the woods of Seongjin City. This location is not only her sanctuary but also the site of her unresolved past, as her mother vanished years ago, and her father is a patient at the local psychiatric hospital.

Coincidentally, Gang-tae and Sang-tae in Its okay to not be okay kdrama have recently moved to the same area, a convenient twist that allows Moon-young to pursue her growing obsession with Gang-tae. The drama breaks from traditional romance tropes by having Moon-young be the one who actively chases Gang-tae. Her character is unapologetically bold and open about her desires, which contrasts sharply with Gang-tae’s reserved nature. This dynamic adds a fresh layer to the romance, distinguishing it from more conventional plots.

The show also features a secondary romantic subplot that follows a more traditional arc, providing a balance to the unconventional primary storyline. However, the romance is just one aspect of the series, which includes multiple overlapping narratives that explore themes of mental health, family, and self-discovery. Moon-young’s exaggerated personality is the most extreme in an already dramatic show, but given her isolated upbringing and the sycophantic nature of those around her, her behavior feels believable. Seo Yea-ji’s performance as Moon-young is particularly noteworthy, bringing depth to a character who could easily have been portrayed as merely one-dimensional.

One of the primary storylines is the mystery surrounding the murder of Gang-tae and Sang-tae’s mother, which may be connected to Moon-young’s dark and complicated past. This plot is filled with unexpected twists and red herrings, especially given the array of supporting characters at the psychiatric hospital, each with their own questionable histories and motives. While some plot twists are predictable, others are surprising, adding to the suspense and intrigue. Exploring the characters’ pasts helps to shed light on their present behaviors and relationships.

Another central theme in its okay to not be okay kdrama is the bond between Gang-tae and Sang-tae, and how they come to understand that finding a chosen family later in life can bring joy and support. This storyline is particularly compelling for those who enjoy narratives about found families and the strength of sibling relationships. The show also delves into the nuances of mental health, portraying a range of issues that might lead someone to seek inpatient care. While some characters are initially viewed with suspicion, by the end, they are all depicted as fully realized individuals in need of compassion and understanding.

The drama also introduces Gang-tae’s best friend, Jo Jae-soo (Kang Ki-doong), who follows the brothers wherever they move, suggesting unrequited love for Gang-tae. Although this subplot is never directly addressed, it adds complexity to the show’s exploration of relationships and loyalty. Jae-soo’s character is portrayed in a way that avoids stereotypical depictions of LGBTQ+ characters, adding another layer to the series.

The portrayal of Sang-tae’s autism is a mix of realism and dramatic exaggeration, reflecting the show’s overall style. While some aspects are depicted accurately, others are heightened for dramatic effect, which may leave some viewers questioning the intent behind these choices. Despite this, the series generally handles mental health issues with sensitivity, portraying its characters as multi-dimensional individuals with unique struggles and stories.

A standout feature of the show is the inclusion of five of Moon-young’s children’s books, which are narrated in full with animated illustrations reminiscent of Chris Riddell’s work. These stories, heavily influenced by dark fairy tales, add a unique element to the show, enhancing its whimsical yet eerie tone. Written specifically for the series by Jo Yong, who also penned the entire drama, and illustrated by Jam San, these books became bestsellers in Korea.

Overall, *It’s Okay to Not Be Okay* is a compelling blend of romance, mystery, and psychological drama. It stands out for its bold characters, intricate storytelling, and unique approach to exploring mental health, trauma, and the healing power of love and family.

 

 

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